‘Kupšytė in particular has a powerful, warm tone, with a brilliant coloratura, easy and unfading high notes. She can project her voice to the highest, most remote corners of the auditorium like there is no tomorrow and was convincing as Romeo; her hurt and anguish very real.’SeenandHeardInternational
Upcoming events
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DAS RHEINGOLD
WELGUNDE
When a precious hoard of gold is stolen from the river Rhine, it unleashes a chain of destructive events, pitting gods and mortals against one another for generations. Wagner’s Ring cycle boasts some of the greatest music ever written for the opera stage. Join us as we embark on a spectacular journey into the world of myth, dream and memory, with the figure of Erda – Mother Earth herself – at its centre.
29 March
OPER LEIPZIG
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IL VIAGGIO A REIMS
MELIBEA
Join our ensemble on a journey to Reims and musically around the world and experience the virtuoso comic side of the composer Rossini that we know and love from »The Barber of Seville« and »Cinderella« (»La Cenerentola«).
15, 21, 23, 28 March
6, 16, 19 April
OPER LEIPZIG
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DER ROSENKAVALIER
OCTAVIAN
It's exactly what you want a Strauss opera to be — deliciously extravagant! Can the elegantly alluring Marschallin find lasting happiness with her lover Octavian, who's half her age? Does the hot-blooded Baron really think his exalted position guarantees that young Sophie will be his wife? All bets are off when Sophie receives an engagement rose from the Baron — delivered by the devastatingly handsome Octavian. Love, sex, fidelity, and aging are delicately explored in a masterwork that artfully blends laugh-out-loud humor with insightful poignancy.
14, 18, 29 June
OPER LEIPZIG
‘Gabrielė Kupšytė’s <..> every role is played with captivating power and intensity. Her solo performance as Charlotte from Werther (a deep psychological staging I preferred to this year’s full production) was stunningly moving. It was met with a chorus of weepy sniffles from the audience so snotty it would have terrified anyone over 60 during Covid.’ London-Unattached
'Gabrielė Kupšytė’s amber-tinted mezzo impressed in the title role, especially in “Duri lacci, voi non siete per me rei di crudeltà”, possibly the opera’s finest number, where the chained Arminio reflects that his imprisonment will be worthwhile if it secures his country’s freedom. “Vado a morir”, where the condemned Arminio bids farewell to his wife, was also beautifully sung.’Bachtrack
Follow my journey
Worldwide General Management
Louis Chanson
Artists Management Zürich
Artistsman AMZ GmbH
Brahmsstrasse 26
CH-8003 Zürich
Tel.: +41 44 821 89 57