‘Kupšytė in particular has a powerful, warm tone, with a brilliant coloratura, easy and unfading high notes. She can project her voice to the highest, most remote corners of the auditorium like there is no tomorrow and was convincing as Romeo; her hurt and anguish very real.’SeenandHeardInternational
‘Gabrielė Kupšytė’s <..> every role is played with captivating power and intensity. Her solo performance as Charlotte from Werther (a deep psychological staging I preferred to this year’s full production) was stunningly moving. It was met with a chorus of weepy sniffles from the audience so snotty it would have terrified anyone over 60 during Covid.’ London-Unattached
'Gabrielė Kupšytė’s amber-tinted mezzo impressed in the title role, especially in “Duri lacci, voi non siete per me rei di crudeltà”, possibly the opera’s finest number, where the chained Arminio reflects that his imprisonment will be worthwhile if it secures his country’s freedom. “Vado a morir”, where the condemned Arminio bids farewell to his wife, was also beautifully sung.’Bachtrack
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